I approach visual art as a language, especially where words stop working. My work moves between two modes: one grounded in structure and reduction, the other driven by emotion and repetition. In my poster work, I strip ideas down to their core; simple, symbolic, and open to interpretation. It’s about tension, contrast, and letting the viewer complete the meaning. The circle project is more personal. It’s repetitive, process-driven, and a way for me to sit with emotion, track shifts, and give form to things that are hard to explain. Across both, I’m less interested in representing something and more interested in holding it, creating space for meaning, tension, and experience. Sometimes that’s a single, resolved composition. Sometimes it’s built through repetition over time. I don’t aim to explain. I want the work to slow you down, pull you in, and leave room for your own reading.

For me, visual art isn’t just communication, it’s a way to process, translate, and carry what doesn’t fit into language.